“Kraken is the software you never knew you needed. I had workflows in place before using this wonderful toolkit, but this one single piece of software beats the lot. Simple, effective and very clever app. From clean conforms from both video and audio EDLs, to alt finding and EDL problem solving, this app has you covered. No more time wasted tracking down alts and lost wild tracks, which leaves more time to edit dialogue. Fantastic support from Marc also, quick to respond and always on hand to troubleshoot turnover issues. An invaluable part of my process now, how did I cope with out it?'”
Iain Anderson (The Nest, Shetland)

“Kraken has made a big part of my job incredibly easier. It simplifies so many parts of the process and has become a ‘must use’ tool that I now setup at the beginning of every project.  Kraken is the perfect example of ‘work smarter not harder.'”
Ryan Cole (Stranger Things, The Invisible Man)

“Kraken has become an essential tool for me while working on a dialogue edit. Looking for alt takes and sections of fill can be so time consuming, but Kraken makes the workflow so much quicker and tidier. I can’t recommend it highly enough. Thanks for developing this software Marc!”
Filipa Principe (Patrick Melrose, The War Of The Worlds)

“Kraken has been an amazing addition to my toolkit and massively speeds up my workflow giving me more time to be creative in the edit. It makes super clean timeline assemblies – even with incomplete or corrupted metadata – being able to dig out the required information from EDLs and rushes so assemblies are smooth and easy. It’s ability to track along to any track in ProTools – the AAF, picture cut track or the assembly tracks – makes finding alts effortless, speeding up the whole process. It’s fast become something I can’t work without.”
Gustaf Jackson (Pure (C4), Noughts and Crosses (BBC), Us (BBC))

“Finding and pulling alts can be two of the most time consuming parts of your job as a dialogue editor. Kraken Dialogue Editors Toolkit makes this process infinitely faster. Once linked with Pro Tools and your assembled rushes (which Kraken can also help with), the software follows your position in Pro Tools and immediately cues that take as well as all the surrounding takes in a waveform preview window. The interface is snappy and once you find what you are looking for, a simple “s” command spots the original rushes audio (not a rendered, trimmed selection) back into Pro Tools. This is a total game-changer and a must for any serious dialogue editor!”
Korey Pereira MPSE (Boyhood, Where’d You Go Bernadette)

“Kraken has become one of my essential tools when dialogue editing for film. It saves me a great deal of time when sifting through all the production rushes. What was once a clumsy process, is now incredibly quick and efficient. I’ve got instant access to all of the possible choices for a particular line at my fingertips”
Dan Morgan (Shaun Of The Dead, In Bruges, Black Mirror)

“There’s no shortage of sexy utilities and toys for sound effects, but despite dialog being the cornerstone of our art form- the tools and technologies geared at improving workflows on the dialog side are depressingly few and far between.  Enter Kraken.
Kraken is, simply put, an indispensable tool for dialog editors and supervisors. Kraken removes the barriers between sound and picture and between production and post production in a way that no other tool I’ve ever seen has done. Within hours of getting Kraken up and running, I wondered how I had worked without it for so long– and knew I didn’t ever want to edit dialog again without it!”
Vince Tennant (The 100, Swamp Thing, Titans)

“With projects allowing less and less time with a smaller and smaller budget, Kraken paid for itself within minutes by doing the impossible. Thank you, Marc! Kraken will forever be a must-have in my dialogue editing toolkit.”
Ryan Young (ADR Mixer – Warner Bros)
Read full testimonal from Ryan here

“For me Kraken is a key for modern and efficient dialogue editing. It makes it so much easier to secure a clean and neat assembly. When it comes to finding and spotting alts Kraken is a game changer. Its intelligent communication with ProTools allows a super fast workflow. It is clearly written from an experienced dialogue editors view and is very intuitive to use. I am really looking forward to which other magic features Marc is going to develop in the future..”
Marek Forreiter (Ironbark, Judy)

“I’ve only been using Kraken for a short time but it’s become an essential part of my workflow already. From assembling the timeline with an EDL to spotting alternate takes, the software is slick, fast and reliable. Marc really helped me get to grips with Kraken too, and offered help and support when I needed it.”
Daniel Pugh (The Stranger, Safe, Brassic)

“Consistently quick and clean conforms, incredibly fast to audition and find alts and updates, and spot them to the timeline, great support from Marc Specter. Kraken is now an essential tool for me.”
Chris Roberts (Fortitude, Ripper Street)

“For something that initially seems a straightforward tool – once you start using it, it becomes an absolute essential. It’s made trawling for outtakes fun.”
Jamie Roden (The End Of The F*****g World, Years And Years)

“Just a quick note to say how brilliant Kraken is. It’s really quickened my Dialogue workflow.”
Ian Morgan (Paddington, Babylon)

“ Kraken has absolutely revolutionised my dx editing workflow… it really is such a powerful tool and has proved a real bargain!.”
Robert Newman

“Kraken has become my number one tool for cataloguing and searching through production sound, and is now an essential part of my dialogue editing workflow. Its value is undeniable, it really helps me doing a lot more in much less time. Also, Marc is great at support!”
Espen Rønning (Doctor Proctors Fart Powder, Kon-Tiki, The Kings Choice)

“Marc is a genius! This piece of software is obviously made by a dialogue editor as it does the stuff we’ve all been wanting, but not realising it until Marc made it. Very easy to use and works like a dream. Everyone should buy it.”
Adele Fletcher (Peaky Blinders, Dark Crystal)

“I can’t work without Kraken anymore. I’ve been a dialogue editor for almost 20 years and I tried every existing audio file manager. Kraken is smart and follows my every move and made my workflow quicker and lighter”
Dario Ramaglia (Devils, Medici)

“Since the first project I used it with, Kraken has become indispensable for my dialogue editing needs. From simplifying workflows to assembling sync sound to finding alternative takes and rushes gold, I can’t imagine working without it.”
Tom Beale (Bulletproof 2, Wounds)

“This is WILD!!!!!  Its going to make my life so much easier – Over here everything is on a budget so it is always a mission to fish for clean audio. I cannot believe how well this is working!”
Stef Albertyn

“Kraken is the Swiss army knife for dialogue editors, but also a very handy tool to have for anyone working in audio post. For example, I create video cut tracks with Kraken for easy ambience editing”
Timo Saila (Mimi On A Mission)

“Kraken has been a life saver on a recent job, far far speedier for alt finding than doing it all manually. Useful as a EDL assembly tool and for scene change marking too”
Anna Sulley (The Owners, Shameless)

“Kraken is a fantastic tool and I don’t know how I worked without it before!”
Michele Ciment-Woods (Vera, The Royals)

“Kraken is an absolute time saver on difficult projects. Add to that the constant support and upgrades from Marc Specter means this software will continue to grow into an essential piece of kit.”
Ayush Ahuja (Gully Boy)